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[[image:Autorretrato en el taller.jpg|thumb|130px|'''''Self - portrait''''', 1790 - 1795, oil on canvas, 42 × 28 cm. In this painting Goya depicts himself in a bullfighter suit]]
 
'''''La Tauromaquia''''' ye una serie de 33 [[gravato]]s creyatossobre porscenas taurinas d'o pintor aragonés [[Francisco Goya]]. entreLos 1815gravatos yfueron 1816, anyofeitos en que1815 fuey publicata,1816 sobre scenas taurinas.quan Goya teneba 60 anyos y fizo ista serie, en un intermeyo entre las series ''Desastres d'a guerra'' y ''Concietos''. La edición, de 320 copias, se sacó en 1816, que se vendeba en serie completa u en gravatos sueltos<ref>Wilson-Bareau, 61, 64, and 67</ref>
 
Bullfighting was not politically sensitive, and was published at the end of 1816 in an edition of 320—for sale individually or in sets—without incident. It did not meet with critical or commercial success.<ref>Wilson-Bareau, 61, 64, and 67</ref> Goya was always charmed by bullfighting, a theme that obviously inspired him, since it was the subject of many of his works: in a self-portrait (1790 - 1795) he depicts himself as in a bullfighter suit; in 1793 he completed a series of eight paintings on tinplate, created for the [[Royal Academy of Fine Arts of San Fernando]], which depicted scenes from bulls' lives from the moment of their birth to the time they enter the bullring; In his series ''Los toros de Burdeos'' (''The Bulls of Bordeaux'') (1825), a series of prints of which [[Eugène Delacroix|Delacroix]] bought.<ref>[http://myhomepage.ferris.edu/~norcrosa/18thcWebsite/articles/ExorcisingGoya.pdf Edward J. Olszewski - ''Exorcising Goya's "The Family of Charles IV"'', σ. 173]</ref> Indicative of his love for bulls is the fact that he signed one of his letters as ''Francisco de los Toros'' (''Francisco of the Bulls'').<ref>''Goya'', Rose-Marie & Rainer Hagen, p.10, Taschen</ref><ref>''Francisco Goya'', Evan S. Connell, p.20</ref>
[[image:Diversión de España.jpg|thumb|thumb|150px|left|'''''Spanish entertainment''''', 1825, lithograph, 30 × 41 εκ., [[Madrid]], National Library. In this work from ''The Bulls of Bordeaux'' series, Goya presents bullfighting as a way of popular entertainment, and not as a violent event, as he does in ''Tauromaquia''.]]
 
 
Bullfighting was not politically sensitive, and was published at the end of 1816 in an edition of 320—for sale individually or in sets—without incident. It did not meet with critical or commercial success.<ref>Wilson-Bareau, 61, 64, and 67</ref> Goya was always charmed by bullfighting, a theme that obviously inspired him, since it was the subject of many of his works: in a self-portrait (1790 - 1795) he depicts himself as in a bullfighter suit; in 1793 he completed a series of eight paintings on tinplate, created for the [[Royal Academy of Fine Arts of San Fernando]], which depicted scenes from bulls' lives from the moment of their birth to the time they enter the bullring; In his series ''Los toros de Burdeos'' (''The Bulls of Bordeaux'') (1825), a series of prints of which [[Eugène Delacroix|Delacroix]] bought.<ref>[http://myhomepage.ferris.edu/~norcrosa/18thcWebsite/articles/ExorcisingGoya.pdf Edward J. Olszewski - ''Exorcising Goya's "The Family of Charles IV"'', σ. 173]</ref> Indicative of his love for bulls is the fact that he signed one of his letters as ''Francisco de los Toros'' (''Francisco of the Bulls'').<ref>''Goya'', Rose-Marie & Rainer Hagen, p.10, Taschen</ref><ref>''Francisco Goya'', Evan S. Connell, p.20</ref>
 
== Las obras ==